The Darjeeling Limited Poster Movie 11x17 Owen Wilson Adrien Brody Jason Schwartzman Natalie Portman Movie MasterPoster Print, 11x17

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Music plays a huge part in director Wes Anderson's meticulously crafted world. For this movie set in India, he's come up with a typically wide-ranging, mind-boggling soundtrack largely culled from the mid-'60s and early '70s, despite the fact that the film is set in the present. Though Indian cinema has come to mean Bollywood for most Americans, Anderson pays tribute to art filmmaker Satyajit Ray by including music from some of his movies, mines the early (1963-1970), lesser-known oeuvre of James Ivory, and features traditional Indian tunes. This may throw fans of Bollywood's more frantic style at first (even if the upbeat go-go "Typewriter Tip, Tip, Tip," co-sung by superstar Asha Bhosle, gets close), but the music's eerie charm works in insidio! us ways. British Invasion pop, an enduring love of Anderson's, is represented by obscure songs from well-known combos (three cuts from the Kinks' 1970 album Lola versus Powerman and the Moneygoround, Part One), as well as obscure songs from obscure performers, like Peter Sarstedt's 1969 nugget "Where Do You Go To (My Lovely)." Add a fantastic Rolling Stones pop tune from 1965, a couple of Western classical tracks, a popular French hit by Joe Dassin, and you have a CD that's all over the map yet oddly consistent in its eccentricity. --Elisabeth VincentelliOwen Wilson, Adrien Brody, and Jason Schwartzman star as three brothers who have drifted apart over the years and try to re-forge their sibling bonds on a hilarious adventure across India. The Royal Tennenbaums meets Lost in Translation.

Family tension again provides dramatic comedy in Wes Anderson's new film, The Darjeeling Limited, about three American brothers traveling by train to find their reclu! sive mother in rural India. Like Royal Tenenbaums, this! film su cceeds because of its smart, funny script in addition to the visual beauty of India and its luxurious locomotive transportation. In Darjeeling, the oldest brother, Francis (Owen Wilson), blackmails his two younger siblings, Peter (Adrien Brody), and Jack (Jason Schwartzman), into traveling to a monastery where their mother, Patricia (Anjelica Huston), has been in hiding as a nun. Supposedly embarking on a spiritual quest, the three men reminisce about the recent death of their father, and the family's irreconcilable problems previous to their reunification. Though they do find Patricia, Francis, Peter, and Jack grow immensely from another brush with death, this time an Indian boy they try to rescue, giving the film an added conceptual depth that Anderson's previous films have been accused of lacking. Co-written by Roman Coppola (CQ), The Darjeeling Limited is a finely-tuned critique of American materialism, emotional vacuity, and our lack of spiritualism! , presented in ironic twists and gorgeous cinematography and lighting recalling Altman's McCabe & Mrs. Miller. A lovely, poignant sequence occurs while the three brothers attend a traditional Indian funeral, and flash back to their father's one year prior. Moreover, the film's soundtrack culled from Satyajit Ray's films and vintage Kinks gives the film a timeless feel, removing it from the predictable indie rock scoring of independent releases. By far Anderson's best film thus far, The Darjeeling Limited offers a much-needed dose of cultural self-reflection, pillared against India's ever-evolving yet ancient religious backbone. --Trinie Dalton

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In THE DARJEELING LIMITED, from director Wes Anderson (Rushmore, Fantastic Mr. Fox), three estranged American brothers reunite for a meticulously planned, soul-searching train voyage across India, one year after the death of their father. For reasons involving over-the-counter painkillers, Indian cough syrup, and pepper spray, the brothers eventually find themselves stranded alone in the middle of the desertâ€"where a new, unplanned chapter of their journey begins. Featuring a sensational cast, including Owen Wilson (Armageddon, Wedding Crashers), Adrien Brody (The Thin Red Line, The Pianist), Jason Schwartzman (Rushmore, HBO’s Bored to Death), and Anjelica Huston (Prizzi’s Honor, The Grifters), THE DARJEELING LIMITED is a visually dazzling and hilarious film that takes Anderson’s work ! to richer, deeper places than ever before.Family tension again! provide s dramatic comedy in Wes Anderson's new film, The Darjeeling Limited, about three American brothers traveling by train to find their reclusive mother in rural India. Like Royal Tenenbaums, this film succeeds because of its smart, funny script in addition to the visual beauty of India and its luxurious locomotive transportation. In Darjeeling, the oldest brother, Francis (Owen Wilson), blackmails his two younger siblings, Peter (Adrien Brody), and Jack (Jason Schwartzman), into traveling to a monastery where their mother, Patricia (Anjelica Huston), has been in hiding as a nun. Supposedly embarking on a spiritual quest, the three men reminisce about the recent death of their father, and the family's irreconcilable problems previous to their reunification. Though they do find Patricia, Francis, Peter, and Jack grow immensely from another brush with death, this time an Indian boy they try to rescue, giving the film an added conceptual depth that Anderson's ! previous films have been accused of lacking. Co-written by Roman Coppola (CQ), The Darjeeling Limited is a finely-tuned critique of American materialism, emotional vacuity, and our lack of spiritualism, presented in ironic twists and gorgeous cinematography and lighting recalling Altman's McCabe & Mrs. Miller. A lovely, poignant sequence occurs while the three brothers attend a traditional Indian funeral, and flash back to their father's one year prior. Moreover, the film's soundtrack culled from Satyajit Ray's films and vintage Kinks gives the film a timeless feel, removing it from the predictable indie rock scoring of independent releases. By far Anderson's best film thus far, The Darjeeling Limited offers a much-needed dose of cultural self-reflection, pillared against India's ever-evolving yet ancient religious backbone. --Trinie DaltonIn THE DARJEELING LIMITED, from director Wes Anderson (Rushmore, Fantastic Mr. Fox), three estranged ! American brothers reunite for a meticulously planned, soul-sea! rching t rain voyage across India, one year after the death of their father. For reasons involving over-the-counter painkillers, Indian cough syrup, and pepper spray, the brothers eventually find themselves stranded alone in the middle of the desertâ€"where a new, unplanned chapter of their journey begins. Featuring a sensational cast, including Owen Wilson (Armageddon, Wedding Crashers), Adrien Brody (The Thin Red Line, The Pianist), Jason Schwartzman (Rushmore, HBO’s Bored to Death), and Anjelica Huston (Prizzi’s Honor, The Grifters), THE DARJEELING LIMITED is a visually dazzling and hilarious film that takes Anderson’s work to richer, deeper places than ever before.Family tension again provides dramatic comedy in Wes Anderson's new film, The Darjeeling Limited, about three American brothers traveling by train to find their reclusive mother in rural India. Like Royal Tenenbaums, this film succeeds because of its smart, funny script in addition to the visual beau! ty of India and its luxurious locomotive transportation. In Darjeeling, the oldest brother, Francis (Owen Wilson), blackmails his two younger siblings, Peter (Adrien Brody), and Jack (Jason Schwartzman), into traveling to a monastery where their mother, Patricia (Anjelica Huston), has been in hiding as a nun. Supposedly embarking on a spiritual quest, the three men reminisce about the recent death of their father, and the family's irreconcilable problems previous to their reunification. Though they do find Patricia, Francis, Peter, and Jack grow immensely from another brush with death, this time an Indian boy they try to rescue, giving the film an added conceptual depth that Anderson's previous films have been accused of lacking. Co-written by Roman Coppola (CQ), The Darjeeling Limited is a finely-tuned critique of American materialism, emotional vacuity, and our lack of spiritualism, presented in ironic twists and gorgeous cinematography and lighting r! ecalling Altman's McCabe & Mrs. Miller. A lovely, poign! ant sequ ence occurs while the three brothers attend a traditional Indian funeral, and flash back to their father's one year prior. Moreover, the film's soundtrack culled from Satyajit Ray's films and vintage Kinks gives the film a timeless feel, removing it from the predictable indie rock scoring of independent releases. By far Anderson's best film thus far, The Darjeeling Limited offers a much-needed dose of cultural self-reflection, pillared against India's ever-evolving yet ancient religious backbone. --Trinie Dalton

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