Down to the Bone

• With a bad marriage and kids to deal with, a woman takes extra precautions to keep her drug use secret. But with the cold weather on its way, hidden truths risk being revealed. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 829567030226 UPC: 829567030226 Manufacturer No: 670302

This premier funk jazz unit has solidified its undisputed place as the true merchants of groove. Masterminded by writer/ producer Steward Wade, DTTB has churned out hit after head bobbin hit, not only capturing the attention of radio with its thick, throbbing funk but has also established itself as one of the most in demand touring bands in the world.

The Main Ingredients takes the band into double digit territory marking their 10th release and one that takes the band back to its original roots with 10 tracks still steeped in groove but with a heavy dose of 21st century glaze. There is still plenty of meat ! on the bone here with tracks like Uptown Hustle and Second Nature that will find welcome satisfaction among their minions along with a heaping helping of non-signature flavors like the sides Watch Me Fly co-written by label mate Oli Silk and the Band New Heavies inspired Closer, both featuring vocals from Imani. All in all a funk/ groove feast sure to invigorate the taste buds of all who crave music that makes you move.
The Main Ingredients has, as the title suggests, the base ingredients that got the band from Wade s early concept to the massive success it is today yet purposefully sprinkled with some surprise spices to keep the sides interesting, funky and on the edge.Irene is a working class mother living in upstate new york. She struggles to keep her marriage together & raise two sons while keeping her cocaine addiction a secret. Studio: Arts Alliance America Release Date: 08/14/2007 Starring: Vera Farmiga Run time: 104 minutes

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Cheri

• Brand new DVD

Stephen Frears… makes thoroughly professional and immensely entertaining stories that pay particular attention to characters, their flaws, emotions and deepest desires. In Cheri, he has another dandy.  The chemistry between Pfeiffer and Friend is positively combustible. One feels the hunger in each, the rising physical passion and emotional vulnerability in two people who, if asked, would scorn love as a human weakness.

Darius Khondji’s mood-catching cinematography, Consolata Boyle’s eye-catching costumes and Alan MacDonald’s gorgeous sets are all entertainment in themselves. But the greatest contribution comes from composer Alexandre Desplat whose nostalgic, romantic, melancholy score evokes the period perfectly.
                                                                  !                                           - Kirk Honeycutt, The Hollywood Reporter

Filled with luxurious gowns and lush grounds, Stephen Frears's Colette adaptation depicts an affair too perfect to last. Parisian courtesan Lea de Lonval (Michelle Pfeiffer) retains her good looks and has invested her earnings wisely, so her colleague, Madame Peloux (Kathy Bates), persuades Lea to celebrate the inception of her retirement by teaching the Madame’s self-centered son, Chéri (Rupert Friend, recalling T.Rex's tousle-haired Marc Bolan), how to treat a lady. Lea, who has known Chéri his entire life, has genuine affection for the unformed lad, although, as she quips, "I can't criticize his character, mainly because he doesn't seem to have one." To her surprise, their weekend in Normandy turns into a six-year-relationship. Then, Madame Peloux announces that she has found an appropriate 18-year-old bride for her now-reformed 25-ye! ar-old boy. Afraid to admit the depth of their feelings for ea! ch other , the duo grudgingly goes along with the plan since Belle Époque society demands that a proper gentleman marry a proper lady, and Lea realizes that matrimony to a man half her age isn't an option. But real love--even the co-dependent kind--can't be banished quite so easily as a bad habit. Frears and Oscar-winning screenwriter Christopher Hampton, adapting Chéri and The Last of Chéri, previously collaborated with Pfeiffer on Dangerous Liaisons, but their reunion is a comparatively somber affair that comes recommended more for fans of the actress, who gives the role her all, than for fans of the filmmaker, whose direction feels perfunctory, particularly during the blink-and-you'll-miss-it epilogue. --Kathleen C. Fennessy

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Ashes of Time Redux [Blu-ray]

• UK Import
• Region-Free
• Blu-ray

From Director Wong Kar Wai comes the definitive version of Ashes of Time, an epic martial arts masterpiece of larger-than-life characters, breathtaking landscapes and exquisite fight scenes. The story centers on Ouyang Feng (Leslie Cheung), a heartbroken and cynical man who spends his days alone in the desert, connecting expert swordsmen with those seeking revenge and willing to pay for it. As Ouyang narrates his tale, interweaving the stories of his unusual clients, old friends and future foes, he begins to realize the mistakes of his own past, and how his fear of rejection may have led him to a life of exile.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the fi! lm is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a moral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of ex! tras. Cinematographer Christopher Doyle enhances the melanchol! y tone o f the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha KimOuyang Feng has lived in the western desert for some years. He left his home in White Camel Mountain when the woman he loved chose to marry his elder brother rather than him. Instead of seeking glory, he ends up as an agent. When people come to him with a wish to eliminate someone who has wronged them, he puts them in touch with a swordsman who can do the job.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the film is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a m! oral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of extras. Cinematographer Christopher Doyle enhances the melancholy tone of the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha Kim

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