Days of Glory / Indigenes (Blu-ray)

• Days of Glory (Blu-ray)
• Indigenes blu-ray
• Days of Glory
• Jamel Debbouze,Roschdy Zem
• Sami Bouajila,Samy Naceri

(War/Action) Set during WWII, North African soldiers enlist in the French army and battle their way across Europe to liberate the "fatherland" and confront discrimination.Hype can be a dangerous thing, and the newspaper ads touting Days of Glory (aka Indigenes, French for "Indigenous") as "so powerful it changed the world" are nigh on impossible for any movie to live up to. This one doesn't, but director Rachid Bouchareb's World War II drama still makes for compelling viewing. Confronting the Nazis both in Italy and at home in 1943, the French Army recruits men from Algeria, then a French colony, and other North Africans to help out. Of the film's two principal themes, one, the horrors of war, is nothing new. But the battle scenes are w! ell done; the first major clash, on a bleak Italian hillside, effectively conveys the young Muslims' confusion and abject terror. The second theme is clearly the one that inspired Bouchareb in the first place: the eternal issue of race and discrimination (also explored in 1989's Glory, about black soldiers in the Civil War). Focusing in particular on four Algerians, including Jamel Debbouze as the naïve Saïd and Roschdy Zem as the lovestruck Messaoud, the films depicts how they are denied basics like food, mail delivery, time off, and such, effectively rendering meaningless the French ideal of liberty, equality, and brotherhood. It all culminates in a small town in Alsace, where the four find brief respite before having to face a much larger and better equipped German force (this scene, as well as a final bit in a cemetery, carry heavy echoes of Steven Spielberg's Saving Private Ryan). Bouchareb apparently made Days of Glory at least in part to shame ! the French government into handing over long-frozen pensions t! o surviv ing soldiers and their kin. French president Jacques Chirac finally approved the funds in 2006--apparently after seeing this film. So maybe it did change the world a little after all. --Sam GrahamThe critically acclaimed and Oscar« nominated* war epic Days of Glory (Indigènes) is "a chronicle of courage and sacrificeàtold with power, grace and feeling and brought alive by first-rate acting" (A.O. Scott, The New York Times). Telling the true story of a band of World War II soldiers who heroically fought their way across Europe while battling discrimination within their own ranks, the film was hailed for its "eloquent performances and potent action sequences" (Jan Stuart, Newsday). The Los Angeles Times' Kenneth Turan called it "a North African Saving Private Ryan, a taut, involving film that delivers all the things we look for in war movies."

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Cobra Verde (Slave Coast) [NTSC/REGION 1 & 4 DVD. Import-Latin America] by Werner Herzog (Spanish subtitles)

• https://catalog.amazon.com/abis/edit/DisplayEditProduct.amzn?sku=FAA7506036013609&asin=B00267U1YK

CAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Cave of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter ! Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minotaur and a woman that adorns a prominent outcropping. Unlike some 3-D features, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course! , it wouldn't be a Herzog picture without a mesmerizing score,! a few e ccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessyCAVE OF FORGOTTEN DREAMS, a breathtaking new documentary from the incomparable Werner Herzog (Encounters at the End of the World, Grizzly Man), follows an exclusive expedition into the nearly inaccessible Chauvet Cave in France, home to the most ancient visual art known to have been created by man. One of the most successful documentaries of all time, CAVE OF FORGOTTEN DREAMS is an unforgettable cinematic experience that provides a unique glimpse of pristine artwork dating back to human hands over 30,000 years ago -- almost twice as old as any previous discovery.Contemplative and reflective, Ca! ve of Forgotten Dreams confirms Werner Herzog as one of the finest and most original chroniclers of the natural world. His abiding fascination with flight, which fueled films like Little Dieter Needs to Fly and White Diamond, finds counterpoint here as he goes below ground to document the oldest paintings known to man. Discovered in 1994, France's Chauvet Cave offers a privileged insight into another time and place. While the walls feature artwork from over 30,000 years ago, ancient animal bones cover the ground, and layers of sparkly calcite coat every surface (paleontologists believe humans never actually lived there). In his narration, Herzog explains that he and his crew had to obtain special permission, could only shoot for a few hours during specific seasons, and couldn't leave the designated walkways, so cinematographer Peter Zeitlinger (Bad Lieutenant: Port of Call New Orleans) attached a camera to a stick to capture the painting of a minota! ur and a woman that adorns a prominent outcropping. Unlike som! e 3-D fe atures, Cave of Forgotten Dreams benefits from the added dimension, providing a breathtaking you-are-there effect. Of course, it wouldn't be a Herzog picture without a mesmerizing score, a few eccentric characters, and some bizarre bits of business. In this case, he includes a master perfumer who sniffs out hidden caves and a philosophical archaeologist who used to work as a circus performer. The documentary concludes with a quintessentially Herzogian postscript featuring the eerie radioactive albino crocodiles who live downwind from the cave. --Kathleen C. FennessySinopsis: Un temido hombre llamado Cobra Verde, es contratado por el dueño de un plantío para supervisar a los esclavos que trabajan las tierras. Cuando el dueño sospecha que Cobra Verde está relacionándose con sus hijas, lo destierra mandándolo directamente a África. Como el único hombre blanco del lugar, Cobra Verde se vuelve víctima de tortura y humillación. Contra la adversidad pronto se convierte en líder de un movimiento rebelde de la milicia. Poco a poco y con la presión de sentirse invencible, Cobra Verde comienza a perder la razón... Una oscura película de Werner Herzog que demuestra una vez más la habilidad del cineasta de contar historias llenas de fuerza y emociones pero en pos de la redención.

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Guerrilla Warfare

• ISBN13: 9789562915717
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero, Che paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Che's failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in! the Castro Revolution's aftermath. This section can't help bu! t approx imate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a stirring account of guerrilla action (it also has the bonus of Demian Bechir's uncanny impersonation of Fidel Castro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Be! nicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in which he's being turned into a celebrity during his NYC interlude. In short, Che is a very intriguing idea for a movie, and not a terribly engaging film. --Robert HortonREVISED AND UPDATED THROUGHOUT

Jon Lee Anderson's definitive and acclaimed biography of Che Guevara manages to transcend the myth of Che and portray in unrivaled detail a complicated human being. In his quest to discover who the real Che was, Anderson moved to Havana and gained unprecedented access to the personal archives maintained by Che's widow. He spent months with Che's old friends in Argentina, where Che was born into an aristocratic family and went to medical school. He interviewed Che's comrades from battles fought in Cuba and the Congo and Bolivia, and he talked to figures on both sides of the Cold War, in ! Moscow and in the CIA.

The book completes the epic saga ! of an ex traordinary life. In 1995, Anderson broke the story of how Che's body had been secretly hidden after his assassination in Bolivia in 1967. He recounts how the body was finally recovered, thirty years after the murder, brought back to Cuba, and interred in the place Che had won his most famous battle in the Cuban revolution. Meticulously researched, Anderson's book reveals many details of Che's life that were long cloaked in secrecy and intrigue. This edition, which has been carefully revised and updated, has a new introduction and epilogue, new maps, and a new chronology of Che's life.Even to those without Marxist sympathies, Che Guevara (1928-67) was a dashing, charismatic figure: the asthmatic son of an aristocratic Argentine family whose sympathy for the world's oppressed turned him into a socialist revolutionary, the valued comrade-in-arms of Cuba's Fidel Castro and a leader of guerilla warfare in Latin America and Africa. Journalist Jon Lee Anderson's lengthy and ! absorbing portrait captures the complexities of international politics (revolutionary and counter); his painstaking research has unearthed a remarkable amount of new material, including information about Guevara's death at the hands of the Bolivian military.Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero,CHE paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Ches failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, desp! ite Soderbergh's anti-romantic approach, and ends up being a stirring account of guerrilla action (it also has the bonus of Demian Bechir's uncanny impersonation of Fidel Castro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of t! he asthmatic jungle fighter with total commitment, his Guevara! is an e lusive protagonist, seen from a distance except for the scenes in which he's being turned into a celebrity during his NYC interlude. In short, Che is a very intriguing idea for a movie, and not a terribly engaging film. --Robert Horton

This indispensable book includes three of Che Guevara’s most influential essays describing his tactical philosophy of fighting a guerrilla war in Latin America. Guerrilla Warfare, written in 1960, outlines Guevara’s doctrine for guerrilla fighters, especially against Caribbean-style dictatorships. In Guerrilla Warfare: A Method (1963) and Message to the Tricontinental (1967), Guevara modified some of his earlier tenets. These latter two works move away from his earlier dogmatism, suggesting that Marxist revolution was possible even in purportedly democratic regimes. All three essays reflect his deeply held belief that a small, rural-based guerrilla army could trigger a revolution.

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Cloverfield (Widescreen) Limited Edition Steelbook

• Special features include Alternate endings and Deleted scenes. The making of Cloverfield and commentary by Director Matt Reeves.

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their livesOne of the first things a viewer notices about Cloverfield is that it doesn't play by ordinary storytelling rules, making this intriguing horror film as much a novelty as an event. Told from the vertiginous point-of-view of a camcorder-wielding group of friends, Cloverfield begins like a primetime television soap opera about young Manhattanites coping with changes in their personal lives. Rob (Michael Stahl-David) is leaving New York to take an executive job at a company! in Japan. At his goodbye party in a crowded loft, Rob’s brother Jason (Mike Vogel) hands a camcorder to best friend Hud (T.J. Miller), who proceeds to tape the proceedings over old footage of Rob’s ex-girlfriend, Beth (Odette Yustman)--images shot during happy times in that now-defunct relationship. Naturally, Beth shows up at the party with a new beau, bumming Rob out completely. Just before one's eyes glaze over from all this heartbreaking stuff (captured by Hud, who's something of a doofus, in laughably shaky camerawork), the unexpected happens: New York is suddenly under attack from a Godzilla-like monster stomping through midtown and destroying everything and everybody in sight. Rob and company hit the streets, but rather than run with other evacuees, they head toward the center of the storm so that Rob can rescue an injured Beth. There are casualties along the way, but the journey into fear is fascinating and immediate if emotionally remote--a consequence of seei! ng these proceedings through the singular, subjective perspect! ive of a camcorder and of a story that intentionally leaves major questions unanswered: Who or what is this monster? Where did it come from? The lack of a backstory, and spare views of the marauding creature, are clever ways by producer J.J. Abrams and director Matt Reeves to keep an audience focused exclusively on what’s on the screen. But it also makes Cloverfield curiously uninvolving. Ultimately, Cloverfield, with its spectacular effects brilliantly woven into a home-video look, is a celebration of infinite possibilities in this age of accessible, digital media. --Tom KeoghWidescreen Blu-Ray Cloverfield. Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.Starring: Michael Stahl-David, Mike Vogel, Odette Yustman,Jessica Luca! s,T.J. Miller. Director: Matt Reeves. Rating: PG-13 for violence, terror and disturbing imagesOne of the first things a viewer notices about Cloverfield is that it doesn't play by ordinary storytelling rules, making this intriguing horror film as much a novelty as an event. Told from the vertiginous point-of-view of a camcorder-wielding group of friends, Cloverfield begins like a primetime television soap opera about young Manhattanites coping with changes in their personal lives. Rob (Michael Stahl-David) is leaving New York to take an executive job at a company in Japan. At his goodbye party in a crowded loft, Rob’s brother Jason (Mike Vogel) hands a camcorder to best friend Hud (T.J. Miller), who proceeds to tape the proceedings over old footage of Rob’s ex-girlfriend, Beth (Odette Yustman)--images shot during happy times in that now-defunct relationship. Naturally, Beth shows up at the party with a new beau, bumming Rob out completely. Just before one'! s eyes glaze over from all this heartbreaking stuff (captured ! by Hud, who's something of a doofus, in laughably shaky camerawork), the unexpected happens: New York is suddenly under attack from a Godzilla-like monster stomping through midtown and destroying everything and everybody in sight. Rob and company hit the streets, but rather than run with other evacuees, they head toward the center of the storm so that Rob can rescue an injured Beth. There are casualties along the way, but the journey into fear is fascinating and immediate if emotionally remote--a consequence of seeing these proceedings through the singular, subjective perspective of a camcorder and of a story that intentionally leaves major questions unanswered: Who or what is this monster? Where did it come from? The lack of a backstory, and spare views of the marauding creature, are clever ways by producer J.J. Abrams and director Matt Reeves to keep an audience focused exclusively on what’s on the screen. But it also makes Cloverfield curiously uninvolving. Ultimately, ! Cloverfield, with its spectacular effects brilliantly woven into a home-video look, is a celebration of infinite possibilities in this age of accessible, digital media. --Tom KeoghCloverfield - Limited Edition DVD with Exclusive Collectible steelbook packaging.

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Fireproof Your Marriage Couple's Kit

• Product Details: Paperback: 96 pages
• Publisher: Outreach Inc (August 2008), Language: English
• ISBN-10: 0978715373, ISBN-13: 978-0978715373, Product Dimensions: 8.8 x 5.8 x 1.4 inches
• Shipping Weight: 13.6 ounces (View shipping rates and policies), Average Customer Review: 4.8 out of 5 stars See all reviews (25 customer reviews), Amazon Bestsellers Rank: #39,245 in Books (See Top 100 in Books)

Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has not! hing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenge! s him to follow the "40-day love dare," in which each task (co! ok her d inner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim

Stills from Fireproof (click for larger image)

!

Fireproof
Kirk Cameron (Left Behind! ) st ars as Caleb Holt, a heroic fire captain who values dedication and service to others above all else. But the most important partnership in his life, his marriage, is about to go up in smoke. This gripping story follows one man's desire to transform his life and marriage through the healing power of faith and fully embrace the fireman's code: Never Leave Your Partner Behind.

Facing the Giants
In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, ! the Eagles must step up to their greatest test of strength and courage.

Flywheel
Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back. DVD-Fireproof by Provident FilmsStudio: Sony Pictures Home Ent Release Date: 09/29/2009 Run time: 118 minutes Rating: PgA feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing P! ains) stars as Caleb Holt, a mercurial-tempered firefight! er whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenges him to follow the "40-day love dare," in which each task (cook her dinner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnos! tic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim

Stills from Fireproof (click for larger image)

Inside burning buildings, Captain Caleb Holt lives by the firefighter's adage:  Never leave your partner.

Yet at home, in the cooling embers of his marriage, he lives by his own rules.

Growing up, his wife Catherine always dreamed of marrying a loving, brave firefighter . . . just like her father.  Now, after seven years of marriage, she wonders when she stopped being "good enough."  Countless arguments and anger have them wanting to move on to something with more sparks. 

As they prepare for divorce, Caleb's father challenges him to commit ! to a 40-day experiment:  "The Love Dare."  Wondering if it's even worth the effort, Caleb agrees, for his father's sake more than for his marriage.

Surprised by what he discovers about the meaning of love, Caleb realizes that his wife and marriage are worth fighting for.  His job is to rescue others.  Now Captain Holt is ready to face his toughest job      ever . . . rescuing his wife's heart.

In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eag! les must step up to their greatest test of strength and courag! e.Jay Au stin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back.Flywheel is the first film from the creators of Facing the Giants and Fireproof. Used car salesman Jay Austin (writer/director Alex Kendrick) swindles his customers and teaches his assistant salesmen to do the same--but despite the profits, something gnaws at him. When he realizes that his own son doesn't respect him, Austin has a conversion and accepts God into his life. This would be the end of most spiritual stor! ies, but Flywheel finds a warm comedy in the obstacles on the path of righteousness; Austin discovers that being right with God means grappling every day with what it means to be honest. Though the filmmaking is raw (the editing is often clumsy and the cinematography is flat), the story is well-paced, has a gently ironic sense of humor, and Kendrick's central performance is compelling. Kendrick is just as persuasive as a man struggling to emerge from a joyless life as he is when he's rediscovered his faith but finds it constantly tested. Though Flywheel is forthright about its Christian inspiration, the story is about actually living a moral life, not about abstract spiritual truths. The result is a movie that looks towards heaven, but has its feet on the earth. --Bret FetzerHere's everything you need to use the Fireproof film to help build strong, God-centered relationships. Couple's kit includes 6-session DVD with discussion-starting movie segments an! d two participant's guides that integrate Scriptures and video! clips w ith questions and devotions for individuals and couples. Also makes a great wedding or anniversary gift! Fireproof Your Marriage includes these six sessions: 1.) He Said/She Said: appreciating the God-designed differences between men and women. 2.) He First Loved Us: God's love for you and how it enables you to love others. 3.) Love for a Lifetime: marriage as a lifelong covenant. 4.) Breaking Free: freeing yourself from temptations that can destroy a marriage. 5.) Forgiveness: offering and receiving forgiveness. 6.) A Better Way of Loving: unconditional love. Churches can purchase in bulk at www.Outreach.com and save.

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District 9 [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; DTS Surround Sound; Subtitled; Widescreen

From producer Peter Jackson (The Lord of the Rings Trilogy) and director Neill Blomkamp comes a startlingly original science fiction thriller that "soars on the imagination of its creators" (Peter Travers, Rolling Stone). With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet.A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesbur! g, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.

Against this backdrop is a more personal story about a bureaucrat named Wikus (Sharlto Copley) who is accidentally exposed to a DNA-altering substance. As he begins metamorphosing into one of the creatures, Wikus goes on the run from scientists who want to harvest his evolving, new parts and alie! ns who see him as a threat. When he pairs up with an extraterr! estrial secretly planning an escape from Earth, however, what should be a fascinating relationship story becomes a series of firefights and explosions. Nuance is lost to numbing violence, and the more interesting potential of the film is obscured. Yet, for a while District 9 is a powerful movie with a unique tale to tell. Seamless special effects alone are worth seeing: the (often brutal) exchanges between alien and human are breathtaking. --Tom Keogh



District 9 downloadables (Click for pdf file)

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