The Deep End of the Ocean

• Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck

A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything ! to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawDEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastatin! g guilt and grief that goes along with it. Nine years later, t! he famil y has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is! certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

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Harry Potter and the Goblet of Fire (Single-Disc Widescreen Edition)

• Format: Widescreen, Closed-captioned, Dubbed, DVD, Subtitled, NTSC
• Language: English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only.)
• Aspect Ratio: 1.33:1

When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools - the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. In this fourth film adaptation of J.K. Rowling's Harry Potter series, everything changes as Harry, Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.The latest entry in the Harry Potte! r saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.

But don't worry, there's ! plenty of wizardry and action in Goblet of Fire. When t! he deadl y Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson a! s Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

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Tim Burton's Corpse Bride (Widescreen Edition)

• Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victo

A stunning visual companion to the newest film from Tim Burton (The Nightmare Before Christmas, Edward Scissorhands, Charlie and the Chocolate Factory), featuring storyboards, movie stills, and Burton's own drawings.

Corpse Bride carries on in the dark, romantic tradition of Tim Burton's classic films Edward Scissorhands and The Nightmare Before Christmas. Set in a 19th century European village, this stopmotion, animated feature follows the story of Victor ! (Johnny Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Helena Bonham-Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. It's a tale of optimism, romance and a very lively afterlife, told in a classic Tim Burton style.

Like Tim Burton's The Nightmare Before Christmas, this official visual companion showcases spectacular movie stills, sketches, paintings, and Tim Burton's own drawings. Covering preproduction, production, and post-production, sections detail character realization, set development and construction, puppet fabrication, costuming, and stop-motion filming. The book's final part retells the film's story in images with synopsis, storyboards, and l! yrics. 140 color illustrations.Set in a 19th century European ! village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love.

DVD Features:
Documentaries
Featurette
Interviews
Music Only Track
Other
Photo gallery
Production Notes

Who else but Tim Burton could make Corpse Bride, a necrophiliac's delight that's fun for the whole family? Returning to the richly imaginative realm of stop-motion animation (after previous successes with The Nightmare Before Christmas and James and the Giant Peach), Burton, with codirector Mike Johnson, invit! es us to visit the dour, ashen, and drearily Victorian mansions of the living, where young Victor Van Dort (voiced by Johnny Depp) is bequeathed to wed the lovely Victoria (Emily Watson). But the wedding rehearsal goes sour and, in the kind of Goth-eerie forest that only exists in Burton-land, Victor suddenly finds himself accidentally married to the Corpse Bride (Helena Bonham Carter), a blue-tinted, half-skeletal beauty (how pleasantly full-bosomed she remains!) with a loquacious maggot installed behind one prone-to-popping eyeball. This being a Burton creation, the underworld of the dead is a lively and colorful place indeed, and Danny Elfman's songs and score make it even livelier, presenting Victor with quite a dilemma: Should he return above-ground to Victoria, or remain devoted to his corpse bride? At a brisk 76 minutes, Burton's graveyard whimsy (loosely based on a 19th century Russian folktale) never wears out its welcome, and the voice casting (which includes Trac! ey Ullman and Albert Finney) is superbly matched the film's gl! oriously amusing character design, guaranteed to yield a wealth of gruesome toys and action figures for many Halloweens to come. --Jeff Shannon

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Analyze That (Widescreen)

• They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel.ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS

They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel. ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS (Caddyshack) and co-star LISA KUDROW.

DVD Features:
Audio Commentary
Document! ary
Other
Theatrical Trailer

Analyze That has more bada bing than its lukewarm reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr. Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull costar Cathy Moriarty-Gentile is welcomed as a riv! al mob queen. You want a comedy masterpiece? Fuhgeddaboudit. ! You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon

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Delta Ashton 19922-SSSD-DST Single Handle Pull-Down Kitchen Faucet with Soap Dispenser, Stainless

• High-arc spout swivels 360-Degree for complete sink access
• High arc pull-down spout provides extra clearance for deep pots and pans and expands work area.
• Two function Multi-Flow wand allows for a temporary flow rate increase to 2.0 gpm
• Matching soap dispenser and optional deck escutcheon included
• Lifetime Faucet and Finish Warranty
• Total Height: 15.375"

DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her young c! hildren and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. W! esley Snipes takes a break from his action career to do some a! cting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his! action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's ! Finest).This family drama begins in a gritty Chicago neigh! borhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begin! s in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly ! HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActress! Kasi Le mmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonLeland 1-Handle Pull-Down Bar Faucet in Oil-Rubbed Bronze - 9978-DST

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Life

• New

Three generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub ! owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine
Genre: Feature Film-Drama
Rating: R
Release Date: 1-JUL-2008
Media Type: DVDThis is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny! as Murphy, Pryor, and Foxx, there are so few laughs and so mu! ch misog yny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine HARLEM NIGHTS - DVD MovieThis is a supremely disappointing film, ! especially considering the talent involved. Indeed, the cast would seem to be the summit of African American comedians, starring the three most influential standups of the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 day! s to roam the U.S., sending the prince's faithful retainer Sem! mi (Arse nio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings â€" including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers.Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages t! o look smug and naive at the same time. There are enjoyable sequences of Murphy's Prince Akeem applying his lordly manner to his new job in a fast-food emporium, and falling for the boss's spirited daughter (Shari Headley), who teaches him how to party down, American style. But the fish-out-water premise is never fully exploited. Star spotters will have a field day locating Cuba Gooding Jr., Donna Summer, Louie Anderson, Vondie Curtis Hall, E.R.'s Eriq La Salle, and Samuel L. Jackson in their minuscule supporting roles. --David Chute Sultry Robin Givens (HEAD OF STATE) heats up the screen with Forest Whitaker (PHONE BOOTH), Gregory Hines (ONCE IN THE LIFE), and Danny Glover (THE ROYAL TENENBAUMS) in this cool, sexy thriller about a gangster's girlfriend and the trouble she stirs for the fellas in her life! When Imabelle (Givens) hits Harlem with a trunkload of stolen gold, she's on the run and looking for a place to hide. So when shy and naive Jackson (Whitake! r) appears, Imabelle thinks she's met the perfect patsy ... bu! t she fo rgets to protect her heart! As the chase again takes off and the intrigue mounts, you'll find that unexpected twists are all the rage in this stylish thriller!FAST TALKING RAYFORD GIBSON AND THE CONSERVATIVE CLAUDE BANKS ARE ACCIDENTALLY TEAMED UP TO BECOME THE FUNNIEST ODD COUPLE EAST OF THE MISSISSIPPI. WHEN THEY TRAVEL SOUTH ON A BOOTLEGGING RUN FOR SOME QUICK CASH AND GET PLACED AT THE SCENE OF A CRIME, THEIR COMICAL MISFORTUNES LAND THEM RIGHT IN FRONT OF THE JUDGE.Martin Lawrence and Eddie Murphy play it surprisingly straight in this film by director Ted Demme. Though there are laughs to be had, this is a story about perseverance in the face of a life of disappointment (yet the film was sold as a prison comedy). But Stir Crazy this isn't. Rather, Lawrence and Murphy play a couple of New Yorkers making a moonshine run from New York to Mississippi during the Prohibition who find themselves framed for murder and sentenced for life to a prison chain gang. As they ag! e, the two become close friends, although the strait-laced Lawrence always resents the free-wheeling Murphy for getting him into the situation in the first place. Ultimately, these two men learn to find meaning where they can, taking value from friendship and their limited ability to affect the lives of others. At times preachy, it ends on an upbeat note; the film's biggest laughs are reserved for the final section, in which Lawrence and Murphy don age makeup and play octogenarians. --Marshall Fine

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Pink Platinum Girls 2-6x Plaid Printed Snowsuit, Purple, 5/6

• Snow bib with jacket
• Headwarmer

Theresa Randle (BAD BOYS) delivers a breakthrough performance as a frustrated New York City actress who reluctantly takes a job as a phone sex operator. But when she discovers her natural gift for aural pleasure, she becomes a different woman to her sports memorabilia-obsessed neighbor (director Spike Lee), her romantic shoplifter ex-husband (Isaiah Washington of GREY’S ANATOMY), and an endless stream of calls from men fueled by dark and wild desires. Even if she loves being every man’s fantasy, can she ultimately handle her own reality? Quentin Tarantino, Madonna, Halle Berry, Naomi Campbell, Jenifer Lewis, Peter Berg, Debi Mazar, Michael Imperioli, John Turturro, Richard Belzer, Gretchen Mol and Ron Silver appear in this sexy comedy/drama written by Pulitzer Prize winner Suzan- Lori Parks (TOPDOG/UNDERDOG) and featuring a hot soundtrack of hits by! PrincePerhaps only Spike Lee could make a dignified yet extremely funny comedy-drama about phone sex. Theresa Randle (Bad Boys) is the title character, a hard-working actress who becomes addicted to this peculiar form of safe sex (the movie is verbal, not physical, in that department) at a high-class New York agency. Throughout the film, Girl 6 (she's unnamed beyond this) sports a dazzling array of new looks, hairstyles, and clothes. Randle radiates every step of the way. Lee even delivers on fantasy elements when Girl 6 finds herself in a send-up of blaxploitation films and a keen lampoon of The Jeffersons (the three-minute sequence is better than any planned TV-to-movie film that may come along). Revelations about Girl 6's life are brought out through her ex-husband (Isaiah Washington), who, in his very flawed but honest way, plans to reunite with her. Better yet are conversations with the next-door neighbor (Spike Lee, doing some of his best work). Solitar! y, experimental, with plenty of delicious cameos (including Ma! donna), Girl 6 is playwright Suzan-Lori Parks's first screenplay. Similar in tone to Lee's debut, She's Gotta Have It, Girl 6 also boasts an energetic mix of old and new songs by Prince and, as always with Lee, colorful camerawork. An alleyway kiss near the end is a great romantic image. --Doug ThomasGive her the utmost in warmth and comfort with this 2-piece insulated snowsuit from Platinum! The jacket has a full zip underneath a snap/Velcro flap, a fleece lining, on-seam handwarmer pockets, adjustable cuffs, inside waist gaiter, plaid print, and ruffled accents on the chest. The matching snowpants feature a snap/zip closure, adjustable straps with Velcro attachments, Velcro pockets, reinforced knees, and an elastic waistband. Both jacket and pants feature weather-resistant shells and full insulation. Includes a matching fleece ear warmer! 100% Polyester Machine Wash Cold Made in China

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Fast Food Nation: The Dark Side of the All-American Meal

• ISBN13: 9780060838584
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Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast foo! d and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory far! ms where the potatoes and beef are grown, and into the slaught! erhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them pron! e to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed

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Broken Bridges (Includes VIP Access Bonus Dvd) (Widescreen)

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In this bittersweet story about family, love and redemption, the death of a loved one brings fading country music star Bo Price (Toby Keith) back to his hometown where he is reunited with his childhood sweetheart (Kelly Preston) and meets his 16-year-old daughter for the first time. Can Bo mend the bridges that were broken when he up and left his home and loved ones for fame and fortune? Broken Bridges, starring country superstar Toby Keith, is the Country Music Channel's debut entry into the world of feature films. Though it plays more like a televised movie of the week--complete with an opaque plot, much tears, and a happy ending--Broken Bridges is a guilty pleasure, thanks in large part to the surprising likeability (though not believability) of Keith. The tall singer plays Bo Price, a struggling musician who heads back to his small ho! metown for his younger brother's funeral. There, he runs into his high-school sweetheart Angela Dalton (Kelly Preston) and her teenage daughter Dixie (Lindsey Haun, daughter of Air Supply guitarist Jimmy Haun). It comes as no surprise to the viewer that Dixie is Bo's child--a daughter he never knew he had. Though she doesn't share her father's gruff personality, she did inherit his musical aptitude and stage presence. While Burt Reynolds chews up the scenery as Angela's father, Tess Harper--playing his wife--doesn't get much to do other than look worried. Look for BeBe Winans and Willie Nelson to make guest appearances as themselves. As for Bo and Angela? She makes a feeble attempt to resist her ex's charms by laying down the law. "I came out here to lay down the ground rules," she tells him. "Don't speak to my parents. Don't speak to Angela. And don't speak to me." Rules, of course, are meant to be broken, especially in feel-good movies such as this. --Jae-Ha KimTHI! S TELLS THE STORY OF TWO BEST FRIENDS THAT WORK TOGETHER AS DE! PUTIES I N A SMALL TOWN. THE TWO DEFY THE SHERIFF AND HEAD OFF ON AN OUTRAGEOUS ROAD TRIP TO SAVE THE PROTAGONIST'S GIRLFRIEND FROM DRUG LORD KIDNAPPERS.Exclusive includes "Broken Bridges" and VIP Access Bonus DVD. "Broken Bridges" - In this bittersweet story about family, love and redemption, the death of a loved one brings fading country music star Bo Price (Toby Keith) back to his hometown where he is reunited with his childhood sweetheart (Kelly Preston) and meets his 16-year-old daughter for the first time. Can Bo mend the bridges that were broken when he up and left his home and loved ones for fame and fortune? Exclusive "Broken Bridges Red Carpet VIP Access" Bonus DVD.

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