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Wednesday, January 25, 2012
Bubble Buster
Thursday, January 19, 2012
DOGMA INCLUDES BONUS DIGITAL COPY
- DVD
- comedy
- thrilling
- fantasy
- angels
Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy,! heavenly muse (the sublime Salma Hayek, who almost single-han! dedly st eals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartWHEN TWO BANISHED ANGELS FIND A LOOPHOLE THAT WILL ALLOW THEM BACK INTO HEAVEN AT THE COST OF HUMANKIND, AN UNSUSPECTINGMORTAL WOMAN, TWO PROPHETS AND THE THIRTEENTH APOSTLE ARE THE ONLY ONES WHO CAN STOP THEM. SPECIAL FEATURES: SUBTITLES IN EN! GLISH, SPANISH AND FRENCH, TALENT FILES AND MURCH MORE.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.
Two banished angels (Ben Affleck ! and Matt Damon) have discovered a loophole that would allow th! em back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featu! ring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartOne of the most talked-about movies of the year is also one of the funniest! In this hilarious comic fantasy from writer/director Kevin Smith (Clerks, Chasing Amy) two banished angels (Ben Affleck and Matt Damon) find a loophole that would get them back into Heaven. The only snag? They'll be destroying existence in the process. In an effort to stop them, The overworked Voice of God (Alan Rickman)taps cynical mortal Bethany (Linda Fiorentino) to save the world by preventing the angels from reaching their unholy destination: New Jersey! Throw in two unlikely prophets named Jay and Silent Bob (Jason Mewes and Kevin Smith), the quick-witted yet little-known thirteenth apostle (Chris Rock) and a sexy, former muse with a case of writer's block (Selma Hayek) and you! 've got an hysterical and thrilling race against time packed w! ith an a ll-star cast.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.
Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole ! that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-na! turedly to its climax (featuring Alanis Morissette as a beatif! ically s ilent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemo! us as the protests that greeted the movie would lead you to believe.
Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--! with Fiorentino lending a sardonic gravity to the proceedings,! and Jas on Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartPacked with stars including Ben Affleck (GOOD WILL HUNTING), Chris Rock (NURSE BETTY), Shannon Elizabeth (AMERICAN PIE), Jason Lee (ALMOST FAMOUS), and more, this wildly irreverent comedy is actor/director Kevin Smith's hilarious finale to the adventures of Jay and Silent Bob that began in CLERKS and ran through MALLRATS, CHASING AMY, and DOGMA! When best buddies Jay (Jason Mewes) and Silent Bob (Smith) discover that a major motion picture is being based on their likenesses, they head for Hollywood to claim the big movie money they deserve. But when the dopey duo learn that they've been cut out of the cash, they set out to sabotage the flick at all costs! Featuring a ! host of celebrity cameos set to a hot hit soundtrack, Jay and Silent Bob's raucous cross country road trip is a crash course in the rules of the road with a nonstop assortment of outrageous characters that will have you laughing out loud!With sidesplitting dialogue and rampant profanity, Jay and Silent Bob Strike Back reunites Kevin Smith's dynamic duo in supreme lowbrow style. It's the fifth comedy in Smith's celebrated New Jersey "trilogy." Here Quick-Stop potheads Jay (Jason Mewes) and Silent Bob (Smith) wreak vengeance on Hollywood, where Miramax is making a "Bluntman & Chronic" feature inspired by J. and S.B., but without their permission. En route from Jersey to La La Land, Jay and his "hetero life mate" encounter sexy jewel thieves (including the delightful Shannon Elizabeth), a precocious orangutan, a dimwit wildlife marshal (Will Ferrell), and a nonstop parade of in-jokes, harmless (yet controversial) gay jokes, and splendid celebrity cameos. While gently bi! ting the Miramax hand that feeds him, and paying affectionate ! homage t o the Star Wars saga, Smith sheds all inhibitions to give Jay and Silent Bob a stellar sendoff that's nasty, sassy, and undeniably hilarious. --Jeff ShannonImaginative theology and a bigger-than-usual budget make Kevin Smith's (CHASING AMY, CLERKS) fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. It concerns banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck) who, after a few millennia in Wisconsin, discover a loophole in Catholic doctrine that would allow them back into heaven--but prove the fallibility of God and destroy the universe. As they make their way to New Jersey to receive a plenary indulgence, God dispatches a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alani! s Morrisette) has to put in an appearance of her own. Smith's controversial (and very funny) film is powered by his trademark dialogue, ripe with observations on pop culture, religion, and bodily functions Included bonus digital copy for your PC & PSP must be redeemed by 06/17/09
Wednesday, January 18, 2012
Eyes Wide Shut [Blu-ray]
- Stanley Kubrick?s daring last film is a bracing psychosexual journey, a riveting suspense tale and a career milestone for stars Tom Cruise and Nicole Kidman. Cruise plays a doctor who plunges into an erotic foray that threatens his marriage ? and may ensnare him in a murder mystery ? after his wife?s (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery a
It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways! we experienced and understood it. And we may expect Eyes W! ide Shut to do the same. Unlike Kubrick himself, it has time.
So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why! ?
Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
Blessed Is the Match: The Life and Death of Hannah Senesh
- BLESSED IS THE MATCH (DVD MOVIE)
Narrated by Academy Award® winner Joan Allen, the multi-award-winning BLESSED IS THE MATCH follows the remarkable journey of this young Hungarian poet and diarist, paratrooper and resistance fighter. Told through Hannah s letters, diaries, and poems, her mother s memoirs, and the recollections of those who knew and loved her (including two of her fellow parachutists), the film traces her life from her childhood in Budapest to her time in British-controlled Palestine where she was drawn by the Kibbutz Movement that sought to build an independent Jewish state to her daring mission to rescue Jews in her native Hungary.
Both devastating an! d inspiring, BLESSED IS THE MATCH offers an intimate portrait of a singularly talented, courageous and complex girl who believed that one person could be a flame that burns brightly in even the darkest hours.
After the Wedding
- AFTER THE WEDDING (DVD MOVIE)
Bronson (Widescreen Edition)
- In 1974, a misguided 19 year old named Michael Peterson decided he wanted to make a name for himself and so, with a homemade sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to 7 years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. With an intelligent, p
In 1974, a misguided 19-year-old named Michael Peterson decided he wanted to make a name for himself, and so with a homemade sawn-off shotgun and a head full of dreams, he attempted to rob a post office. Swiftly apprehended and originally sentenced to seven years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. Provocative and stylized, BRONSON follows the met! amorphosis of Mickey Peterson, who gave himself the nickname Charles Bronson, from a petty thief into Britain's most dangerous prisoner.Tom Hardy's performance in the lead role burns right through Bronson, the somewhat true tale of a real guy who, once the movie finishes, you'll be very glad is still locked up in an English jail. There's no obvious reason why Michael Peterson became what he proudly calls "Britain's most violent prisoner." His upbringing was normal, his parents meek but loving; he was even married with a child when, in 1974, he attempted a robbery that landed him in the slammer for the first time. Peterson saw this as "an opportunity to sharpen my tools" and make a name for himself; and that he did, eagerly taking on half a dozen guards at once and regularly spending time in solitary confinement (at one point for 69 straight days). A stint in "the loony bin," where he killed another patient, followed, as did incarceration in a hospital for the crimina! lly insane, a brief period on the outside (having been "certif! ied sane ," he went to live in an uncle's whorehouse, found work as a prizefighter, and fell in love), and then a permanent return to prison, where he decided to change his name to Charlie Bronson (after the American actor) and, improbably, became a pretty decent painter (a climactic scene with his art teacher perversely invokes the Belgian artist René Magritte). Not all of this really happened, but director and cowriter Nicolas Winding Refn's film is hardly a documentary; with its saturated color palette, surreal framing devices (Bronson tells some of his tale to a rapt audience in a large theater), and frequent use of black humor, this is a highly stylized and often strange piece of work. Hardy, who has also been seen in Guy Ritchie's RocknRolla and will be in George Miller's fourth Road Warrior epic, delivers an extreme performance; sporting a shaved head and a John L. Sullivan handlebar mustache, he is a credible if occasionally cartoonish presence, a leering, prof! ane, joyously violent cockney madman. Extras include interviews, a making-of documentary, and a featurette detailing the extremely buff Hardy's training for the role. --Sam Graham
Tuesday, January 17, 2012
Terror Beneath the Sea
- Can legendary action hero Sonny Chiba (Kill Bill, Volume 1), save the planet from the ultimate destruction of the human race? The Navy s test of a new torpedo for a group of journalists ends abruptly when a strange creature swims into view. Reporters Ken (Chiba) and Jenny (Peggy Neal) sense something sinister and decide to investigate. Unbeknownst to them, an evil scientist is busily creating a
When a plane crashes into the Antarctic ice, exposing an enormous cave system, a rescue and research team is dispatched. T! wenty-four hours later, all contact is lost.
Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about itâ€"even wage war over it. Or worse.
Once suspended into the caves, Alex, Aimee, and the others can’t locate a single survivorâ€"or even a trace of their remains. Nor is there a energy source, only specters of the dead haunting the tunnels. But soon they will discover that something very much alive is brewing beneath the surface. It is a force that dates back to the very dawn of timeâ€"an ancient terror that hunts and kills to survive…
When a plane crashes into the Antarctic ice, exposing an enormous cave system, a res! cue and research team is dispatched. Twenty-four hours later, ! all cont act is lost.
Captain Alex Hunter and his highly trained commandos, along with a team of scientists, are fast tracked to the hot zone to find out what went wrong. Meanwhile, the alluring petrobiologist Aimee Weir is sent to follow up on the detection of a vast underground reservoir. If the unidentified substance proves to be oil, every country in the world will want to know about itâ€"even wage war over it. Or worse.
Once suspended into the caves, Alex, Aimee, and the others can’t locate a single survivorâ€"or even a trace of their remains. Nor is there a energy source, only specters of the dead haunting the tunnels. But soon they will discover that something very much alive is brewing beneath the surface. It is a force that dates back to the very dawn of timeâ€"an ancient terror that hunts and kills to survive…
Fallon Roxbury, seasoned detective and special police consultant, knows that appearances can be deceiving. Trained to gather the clues ! and arrive at logical conclusions, he fits the puzzle pieces o! f a situ ation together to find the truth. But there’s nothing reasonable in Fallon’s attraction to the sexy, secretive shapeshifter called Sundown.
Sundown has studied people all his life. Having his very own human male is all he ever wanted. In Fallon, he's found a man he can trust with his secrets and reveal his true nature. Keeping Fallon happy is a joyful exercise into which Sundown puts his heart and soul--when he's not teasing Fallon's police partner by leaving strange footprints at crime scenes, that is.
Fallon's new case ties into an old one. At a dead end, he knows it’s time to ask Sundown for a little help. With his special abilities, Sundown can get into places Fallon can’t. All Fallon has to do is figure out a way to prove what he already knows. But what's a cop to do when the truth takes a shift that's stranger than fiction?
Genres: Gay / Shapeshifter / Science Fiction / Mystery / Detective / Exhibitionism / Public Place! s / SeriesThe sequel to Amber Allure's Best Seller The Back Stairs...
Fallon Roxbury, seasoned detective and special police consultant, knows that appearances can be deceiving. Trained to gather the clues and arrive at logical conclusions, he fits the puzzle pieces of a situation together to find the truth. But there’s nothing reasonable in Fallon’s attraction to the sexy, secretive shapeshifter called Sundown.
Sundown has studied people all his life. Having his very own human male is all he ever wanted. In Fallon, he's found a man he can trust with his secrets and reveal his true nature. Keeping Fallon happy is a joyful exercise into which Sundown puts his heart and soul--when he's not teasing Fallon's police partner by leaving strange footprints at crime scenes, that is.
Fallon's new case ties into an old one. At a dead end, he knows it’s time to ask Sundown for a little help. With his special abilities, Sundown can get into places Fall! on can’t. All Fallon has to do is figure out a way to prove ! what he already knows. But what's a cop to do when the truth takes a shift that's stranger than fiction?
Genres: Gay / Shapeshifter / Science Fiction / Mystery / Detective / Exhibitionism / Public Places / SeriesTERROR BENEATH THE SEA - DVD Movie
Alli Weight-Loss Aid, Orlistat 60mg Capsules, 120-Count Refill Pack
- Only FDA approved over-the- counter weight-loss aid
- Blocks absorption of 25% of consumed fat
- Undigested fat is excreted from the body instead of being turned into fat
- Alli users typically lose 50% more weight than people who use diet alone
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 alli is a 60mg orlistat capsule. But it's more than just a pill. It's an innovative weight loss program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat.  The alli program starts with your commitment to adopting healthy eating habits. It combines the only FDA approved, over-the-counter weight loss product with an individually tailored support plan to help you achieve gradual and healthy weight loss. When you take alli along with a reduced-calorie, low-fat diet, you can lose 50% more weight than dieting alone. For example, instead of losing 10 pounds with diet alone, you can lose 15 pounds with the alli program. alli is safe - it works in your digestive system, not in your heart or brain. It will not cause jitters, sleeplessness, or a racing heart. You can't just try alli - you have to commit to it. More information can be found at myalli.com, where you can also talk to alli users, registered dietitians, pharmacists, and fitness experts on the alli message board. Or talk to your doctor, pharmacist, or dietitian to help determine if you'! re ready. |  | |||
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 Typically, enzymes in your intestines break down fat from food so your body can absorb the fat. But the active ingredient in alli attaches to some of these enzymes and prevents them from digesting about a quarte! r of the fat you eat. Because undigested fat can't be absorbed, it passes out of your body instead of turning into calories.  The main side effect occurs when you eat a meal with too much fat while taking alli. If so much fat is blocked that your stool can't absorb it, you might have side effects. Because they are not harmful, we call them "treatment effects." These include loose or more frequent stools, an urgent need to go to the bathroom, or gas with an oily discharge. The excess fat that passes out of your body is in no way harmful. In fact, you may recognize it as something that looks like the oil on top of a pizza. Treatment effects can be lessened if you stick to reduced-calorie, low-fat meals that average 15 grams of fat per meal. 
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 Losing weight is easier with support. That's why the alli program includes an individually tailored online plan called myalliplan. myalliplan offers free individualized support and was developed by nutritional and weight management experts who understand the struggle to lose weight. ! When you register with myalliplan, you receiv! e:
You may have a better chance of success when you enroll in a customized, interactive support plan.  If you decide that you're ready to commit to the alli program, purchase the alli starter pack. This package contains portable reference guid! es to help you follow the alli program. The starter pack also includes a carrying case, called the alli Shuttle, to make it easy to take your alli capsules with you. The in-pack guides, together with myalliplan, deliver the support to help you reach your weight loss goals, and teach you how to eat healthy for a lifetime. |  | |||
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 Losing weight doesn't have to be a bland, tasteless affair. With help from the alli program, you can learn how to create healthy and flavorful meals. So instead of that high-calorie, high-fat cheeseburger, try a juicy turkey burger that's loaded with flavor and low in fat. | ||||
Big Stan
- In this hilarious and outrageous, marital arts comedy, Rob Schneider stars as Stan Minton a two bit con man that is found guilty of cheating mostly elderly women out of their retirement saving on fraudulent vacation properties. With the help of his crooked lawyer, Lew Popper (M. Emmet Walsh), Stan is able to postpone his jail sentence for six months in order to tidy up his affairs. Stan quickly go
Monday, January 16, 2012
The Ghost and the Haunted Mansion (Haunted Bookshop Mysteries, No. 5)
- ISBN13: 9780425224601
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The Haunted Mansion is one of the most popular and beloved attractions in Disney theme park history, and can be found in each Magic Kingdom Park around the globe. This newly updated bookâ€"as it is of vital importance to make sure that fans can read about the latest updatesâ€"brings the Mansion’s inhabitants to an afterlife like never before.
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The Haunted Mansion: From the Magic Kingdom to the Movies illustrates how the Mansion’s 999 “grim grinning ghosts†moved from sketches to reality, evolving from earliest story concepts through adaptations and changes as it moved into each of the parks, to the very latest ideas for show enhancements. This book ! also confirms and dispels the various myths and rumors that have surrounded the mysterious Mansion since its opening. And now new history has been added as the attraction continues to evolve. This updated edition now includes photos and text of the new “Mysterious Staircases†and “Glowing Eyes in the Wallpaper†effects that have been added, as well as the re-concepted attic scene, which includes the history of Constance the bride and the several husbands who have lost their heads (literally) over her.
When the local mailman inherits a haunted mansion and demands an exorcism, bookshop owner Pen must act fast to save her favorite ghostâ€" 1940s detective Jack Shepardâ€"before it’s too late.
When the local mailman inherits a haunted mansion and demands an exorcism, bookshop owner Pen must act fast to save her favorite ghostâ€" 1940s detective Jack Shepardâ€"before it’s too late.
Naughty Monkey Women's Fearless Knee-High Boot,Chocolate,8 M US
- Made in China
- Leather Upper
- Man Made Sole
- Heel Height: 3 - 3.75 Inch
- This Shoe Fits True to Size.
Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento) begins to look for a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love with a naive schoolteacher (Jared Harris)â€"until the dark secrets from B.'s past begin to creep into her new life. As ex-partners Paul (Everett) and Bruno (Jonathan Rhys Meyers) get back in the picture, you'll feel the intensity build as B.'s harrowing balancing act threatens to come crashing down.ASIA ARG! ENTO PACK:SCARLET DIVA/LOVE B - DVD MovieIt's pooey on B-A-B-I-E-S until Junie B. finds out that her new dumb old baby brother is a big fat deal. Her two bestest friends are giving her everything they own just to see him. And guess what else? Maybe she can bring him to school on Pet Day.
From the Trade Paperback edition.Pair yourself with these up to the minute boots from Naughty Monkey. Fearless features a chocolate suede upper with a cuff at the top and lace up detail. A side zip and the 3 3/4 inch heel make a perfect addition to this stunning boot.
Friday, January 13, 2012
Art of Appreciation Gift Baskets Tea Time Gift Bag Tote
- * It's hard to believe that this paper gift tote bag is not a real china tea cup, it' just that realistic!
- * Beautifully detailed and charming, this gift bag comes complete with handles, delivering new tea time pleasures day after day with a sampling of fancy teas and matching gourmet go togethers and treats.
- * Each gift is hand crafted with attention to detail and includes a personalized gift card to convey your best wishes.
- * Open the tote to reveal premium Sisters Green Tea, English Tea, a trio of Ashby's Singles Herbal Teas, Mrs. Grace Lemon Tea Cookies, Cinnamon Butterfly Tea Cookies, Torani Chocolate Milano Biscotti, 2 Rock Candy Swizzle Sticks and a sampling of honey sticks to sweeten each cup in four different flavors, Clover Honey, Blackberry, Cinnamon and Peach.
It's hard to believe that this paper gift tote bag is not a real china tea cup, it's just that realistic! Beautifully detailed and charming, this gift bag comes complete with handles, delivering new tea time pleasures day after day with a sampling of fancy teas and matching gourmet go togethers and treats. Open the tote to reveal premium Sisters Green Tea, English Tea, a trio of Ashby's Singles Herbal Teas, Mrs. Grace Lemon Tea Cookies, Cinnamon Butterfly Tea Cookies, Torani Chocolate Milano Biscotti, 2 Rock Candy Swizzle Sticks and a sampling of honey sticks to sweeten each cup in four different flavors, Clover Honey, Blackberry, Cinnamon and Peach. Each gift tote arrangement is hand crafted with attention to detail, tied with pretty ribbon and includes a personalized gift message from you. Manufactured by Art of Appreciation Gift Baskets.
When will my gift ship.... When will my gift be! delivered? Please review the shipping rates and policies ! link loc ated on this page for VERY IMPORTANT information regarding the shipping and delivery times for your purchase.
Completed Gift Tote Arrangement: 10" high x 9" wide x 3.5" deep.
Empty Gift Tote: 5" high x 9" wide x 3.5" deep
Knives of Alaska Suregrip Cub Bear Caping Knife
- Lightweight sleeping bag is ideal for mild weather camping
- Polyester outer shell offers durable, long-lasting use
- Printed polyester inner material provides cozy warmth
- Insul-Therm Therm provides comfort down to 30 degrees
- Measures 77 inches long by 33 inches wide
From the creator of the Gossie and Gertie books comes a playful and charming twist on the relationship between children and the adults who care for them.Amazon Best Books of the Month, November 2010: Beautiful wintery illustrations are the perfect background for Old Bear and His Cub. Old Bear and Little Cub love each other with all of their hearts, and their day together revolves around Old Bear ensuring that Little Cub does things that will keep him safe and healthy, like eating his porridge and staying off the rocks. Children will relate to Little Cub’s attempts at independence, while parents will appreciate that Little Cub accepts Old Bear’s authority simply because Old Bear loves! him so. The tables are turned when Old Bear catches a cold and it's Little Cub who knows what's best--blackberry tea and books read aloud all through the night. Simple and charming, Old Bear and His Cub is a heart-warming reminder of the joys of caring for one another. --Seira Wilson
A Look Inside Old Bear and His Cub
(Click on Images to Enlarge)
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Wednesday, January 11, 2012
RUSS Vertical Ceramic Ballet Frame, 4 by 6-Inch
- Ballet Frame with 4-Inch by 6-Inch photo opening
- Ceramic frame, glass insert and velvet flocked back
- Embossed ballet shoes in the corner with rhinestone accents
- Decorative
Fashion and decor designers and visual artists in particularâ€"inclu! ding Coco Chanel, Natalia Goncharova, Mikhail Larionov, Léon Bakst, and Pablo Picassoâ€"found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres.
The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrationsâ€"many from private collections and never-before-publishedâ€"discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.BALLETS RUSSES - DVD MoviePart history, part love letter, Ballets Russes m! ay be the most purely delightful documentary in years. The mov! ie follo ws the birth of the Ballet Russe de Monte Carlo in the early 1930s, an event that eventually led--after years of exhilarating experiments, bitter artistic battles, and exhausting tours--to the establishment of modern ballet around the world. Ballet Russes combines astonishing film footage of fantastical ballets (featuring extravagant sets designed by Salvador Dali and costumes by Henri Matisse) and interviews with surviving dancers in their 70s, 80s, and 90s (ranging from Dame Alicia Markova, who was a prima ballerina with the original Ballet Russe under impresario Sergei Diaghilev, to Yvonne Craig, who went on to become Batgirl in the '60s tv show Batman); the result is a breathtaking range of scholarship and depth of feeling. The heart of the film is the dancers themselves, who are sly, thoughtful, gossipy, and amazingly youthful in spirit--even the most difficult times are discussed with humor and honesty. Ballet fans will find this an essential document, wh! ile anyone who's never even thought of going to ballet will be completely caught up in these dancers' passion and wonder. A beautiful, entrancing movie. --Bret Fetzer
While the early 20th century was rich with creative energy, no one brought theater and dance to the forefront of culture quite like Sergei Diaghilev did with his extraordinary Ballets Russes. From 1909 to 1929, the Ballets Russes attracted the involvement of major artists, composers, and designers. Now, this major book, published to accompany a retrospective exhibition at the Victoria and Albert Museum, London, examines the origins, development, and long-term influence of the Ballets Russes and celebrates the centenary of their first appearance in 1909.Â
Diaghilev's extraordinary company revolutionized ballet for all time. The book shows Diaghilev's use of avant-garde composers such ! as Stravinsky, dancers such as Nijinsky and Massine, and desig! ners suc h as Bakst, Goncharova, Picasso, Matisse, and Chanel, and even a very young George Balanchine, all of whom helped to create true collabrations never before seen in the performing arts. works This beautiful book showcases artistic collaboration at its finest.
PRAISE FOR DIAGHILEV AND THE GOLDEN AGE OF THE BALLETS RUSSES
"The best accompaniment for the exhibition is the sumptuous illustrated catalog, edited by Jane Pritchard, who co-curated the exhibit along with Geoffrey Marsh. In its close-up details of costume, its black and white images of ballet and its lucid and intelligent texts, the book covers subjects that are not discussed in the museum show. This fascinating book should be on every ballet lovers’ holiday gift list."--Suzy Menkes, The New York Times
The Ballets Russes has engaged people for 100 years, ever since Russian-born Sergei Diaghilev created this dynamic avant-garde company. Diaghilev brought together some of the most important visual artists of the 20th century--Pablo Picasso, Henri Matisse, AndrŽ Derain, Robert and Sonia Delaunay, Georges Braque, Giorgio de Chirico, Natalia Gonchorova and Mikhail Larionov, and more--who worked as costume and stage designers with composers such as Igor Stravinky, choreographers such as Michel Fokine, and dancers such as Vaslav Nijinsky, infusing new life and creative energy into the performing arts of the time.
Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909-1929), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding! glamour--and often creating scandal--wherever it appeared.
! The cost umes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today.
This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.The biography of a fascinating cultural hero, Rene Blum and the Ballets Russes uncovers the events in the life of the enigmatic and brilliant writer and producer who perished in the Holocaust. Brother of Leon Blum, the first socialist prime minister of France, Rene Blum was a passionate and prominent litterateur. He was the editor of the chic literary journal Gil Blas where he met such celebrated figures as Claude Debussy, Pierre Bonnard, Edouard Vuillard, Andr! e Gide, and Paul Valery. As author Judith Chazin-Bennahum's research illustrates, Blum actually arranged for the publication of Proust's Swann's Way. But Blum's accomplishments and legacy do not end there: after enlisting in World War I, he won the Croix de Guerre and became a national hero. And Blum resurrected the Ballets Russes de Monte Carlo after Diaghilev's death. Tragically, he was arrested in 1941 during a roundup of Jewish intellectuals and ultimately sent to Auschwitz. Based on a treasure trove of previously undiscovered letters and documents, this thoroughly researched narrative not only tells the poignant story of Blum's life but also illustrates Blum's central role in the development of dance in the United States. Indeed, Blum's efforts to save his ballet company eventually helped to bring many of the world's greatest dancers and choreographers--among them Fokine, Balanchine, and Nijinska--to American ballet stages, shaping the path of dance in the United State! s for years to come.The biography of a fascinating cultural he! ro, Rene Blum and the Ballets Russes uncovers the events in the life of the enigmatic and brilliant writer and producer who perished in the Holocaust. Brother of Leon Blum, the first socialist prime minister of France, Rene Blum was a passionate and prominent litterateur. He was the editor of the chic literary journal Gil Blas where he met such celebrated figures as Claude Debussy, Pierre Bonnard, Edouard Vuillard, Andre Gide, and Paul Valery. As author Judith Chazin-Bennahum's research illustrates, Blum actually arranged for the publication of Proust's Swann's Way. But Blum's accomplishments and legacy do not end there: after enlisting in World War I, he won the Croix de Guerre and became a national hero. And Blum resurrected the Ballets Russes de Monte Carlo after Diaghilev's death. Tragically, he was arrested in 1941 during a roundup of Jewish intellectuals and ultimately sent to Auschwitz. Based on a treasure trove of previously undiscovered letters and documents, this thoroughl! y researched narrative not only tells the poignant story of Blum's life but also illustrates Blum's central role in the development of dance in the United States. Indeed, Blum's efforts to save his ballet company eventually helped to bring many of the world's greatest dancers and choreographers--among them Fokine, Balanchine, and Nijinska--to American ballet stages, shaping the path of dance in the United States for years to come.In May 1909, Sergei Diaghilev astonished the world of dance with his first ballet presentations in Paris that demonstrated an unprecedented combination of vitality and grace, originality, and technical sophistication. This catalogue of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public a! nd private collections, including the Fokine collection in the! St. Pet ersburg Theatre Museum. Diaghilev’s scenic achievements are complemented by a number of contextual paintings, drawings, and other artifacts, which help to define Russia’s cultural renaissance of the first decades of the twentieth century. The documentary section of the catalog contains rich archival material, including letters, photographs, choreographic notes, and memoirs, many published here for the first time.RUSS' A Time To Dance, features this vertical ballet frame measuring 7-Inch by 5-1/2-Inch with 4-Inch by 6-Inch photo opening. Designed with pink embossed ballet shoes and rhinestone accents. Made of ceramic with glass insert, flocked velvet back, easel stand and packaged in a photo gift box.
Brick
- Condition: New
- Format: DVD
- AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
